In the historical timeline of guitar effects, long before pedals of any kind were commonplace, the effects that guitarists utilised were mainly built into their amplifiers, namely tremolo and reverb.

The iconic Fender Princeton Reverb is a timeless tube amp first created by Fender in the 1960s, designed to provide great Fender tube tone in a compact package. Though it may have originally been ...

Mr Black has set out to condense classic tube-driven outboard spring tank tones in his latest reverb pedal, the Super Swell. Like original outboard spring tanks, the Super Swell’s controls span dwell, ...

Source Audio has announced the True Spring reverb pedal, a compact, stereo pedal that teams spring reverb sims with tremolo effects, combining effects from the company’s well-reviewed Ventris Dual ...

The winter solstice might be upon us but spring has sprung at Danelectro with the launch of an old favourite reverb pedal with an all-new look. Meet the Spring King Junior, a mini pedal version of the ...

A really enjoyable pedal that makes a lot of sense in use. It's packed with quality sounds – especially on the reverb and modulation sides. If you're looking to streamline your pedalboard or a new, ...

Crazy Tube Circuits has positioned itself as a specialist in the twofer overdrive pedal, pairing boost and drive, or different flavours of drive, to give players a powerful yet compact all-in-one gain ...

The year is 2020, and don't we know it, but thanks to Fender you can get a brand new hand-wired Princeton that'll turn the clock back to '64 with some of the sweetest clean tones you'll hear, plus ...

Crazy Tube Circuits has positioned itself as a specialist in the twofer overdrive pedal, pairing boost and drive, or different flavours of drive, to give players a powerful yet compact all-in-one gain ...

Add oceanic splash to your guitar tone from a trio of spring reverb emulations, now in a more pedalboard-friendly form When you purchase through links on our site, we may earn an affiliate commission.

There are knobs for Tone, Level, Decay, and Modulation, dual footswitches. The jacks are on the top. It’s a serious bit of kit. Robert Keeley himself is calling it his company’s “flagship” reverb.